This post is going to be YUGE. YUUUUUUUUUUUUUGE.
Love him or hate him…. Donald Trump is big news in 2016.
Despite the fact that he seems to be causing almost DAILY outrages, his popularity numbers continue to grow.
At first, I asked myself: “How is he doing this?”
Then, it hit me: “He’s been successful at business, self-promotion, and – for now – politics…
Is there something that a piano teacher could actually LEARN from Donald Trump?
So… Over Christmas break, I picked up Donald Trump’s most popular book, The Art of the Deal. It was a quick read.
As it turns out, he completely reveals his entire business philosophy in this book. The 11 principles that he outlines for business success are absolutely applicable to piano teachers.
Now, I should go on record and tell you that this is not an endorsement for the Donald. I will let more capable minds tell you who would best run the country. Fair?
That being said, let’s dive in. Here are 5 Trump business secrets that every teacher and music school could use.
“If you’re going to be thinking anyway, you might as well thing big. Most people think small, because most people are afraid of success, afraid of making decisions, afraid of winning.”
How can we think big in our studios?
Have you been contemplating raising your rates? A “cost of living” increase? What would happen if you raised rates by $1 or $2 or $5? Are you concerned that you will get an inbox full of hate mail and termination notices?
Think big. If you’re going to raise your rates… why not by raise them by $20/month instead. How about $40/ month? Go big or go home!
I don’t say this flippantly. I have taken my own advice! It all came about while reading Stealth Marketing by Jay Abraham.
Jay is a highly-paid small-business consultant. The New York Times, Forbes, and many other publications call him one of the greatest marketing minds of the modern age.
Small and medium-sized businesses hire him to increase their sales. One of the first things he would do is come in and run experiments on their price.
Now, these business owners would argue with him – some of them quite dramatically! They didn’t want to lose customers or turn away new prospects.
They were attached to their current pricing – but they had no proof that it was the best pricing!
Much to the chagrin of these business owners, Jay demonstrated that they could raise prices on products by 10%, 20%, and sometimes even 50% without a negative impact on sales!
I read about this experiment several years ago. It was a few months before the fall “rush” when many parents sign their kids up for piano.
I made a decision. I would quote a higher tuition rate to any new inquiries. I wanted to test if people would accept the price. I would worry about increasing the tuition for current students later.
The new price was 21% higher than my current rate. Keep in mind, my current rate was already modestly higher than every other teacher in the area.
I remember a student came in for an evaluation session. When the parent asked the tuition price, I had to concentrate to keep my composure. I said the new price out loud, and focused on not feeling embarrassed.
In my head, I thought: “They are going to storm out of here in a huff. They are going to laugh in my face. They are going to cry because they can’t afford it – I just know that something is going to go wrong.”
I think you know what happened. They said: “Great, we can do that.”
I felt shock.
This pleased me. Later, I wondered if it would work again.
It did. In fact, not one person even flinched at that rate. I did have a few families who said they couldn’t begin because it was too much for their budget.
But, no one rejected the rate outright.
It is a powerful lesson to learn… Are the business decisions you’ve made based on fact or opinion? Are you fearful about raising your rates?
Are you thinking big enough?
The next principle in The Art of the Deal is to know what people want.
That sounds pretty simple, right?
They want piano lessons!
Not so fast. Experts have demonstrated that people make decisions based on emotion first. Then they rationalize their decision after the fact.
Parents might have good reasons for enrolling for piano lessons. But, there are emotional motives at work behind that rational decision. These motivations can look different from person to person.
We need to get in touch with those deeper, hidden motivations. When we do that, we build credibility, authority, and trust with parents. What a great way to start that relationship!
I once thought that I had a good grip on why parents signed up for lesson.
As I mentioned in point #1… on what are you going to base your knowledge? Opinion or fact?
I wrote about this topic at length in a previous blog post. I surveyed my students so I could know them better. Even after seven years of teaching, I was shocked at how some parents answered basic questions like: “Why did you sign your kids up for lessons?”
Don’t underestimate how honest people will be when given the chance to answer anonymously. Do this with a survey.
Go ahead and try this. You will learn a great deal. You will be closer to your families and students as a result.
“The worst thing you can possibly do in a deal is seem desperate to make it. That makes the other guy smell blood, and then you’re dead. The best thing you can do is deal from strength, and leverage is the biggest strength you can have. Leverage is having something the other guy wants. Or better yet, needs. Or best of all, simply can’t do without.”
Thanks, Donald. A little aggressive for us piano teachers.
But, the principle is sound.
When I read these words, I think about when a parent makes the decision to either join your studio or move on.
“Leverage is having something the other guy wants.”
Parents will often sign their kids up for lessons to “help with their academics” or “raise their IQs”. I’m not going to comment on whether that is a good motivation; it’s just the truth.
I speak to that need in an evaluation lesson when I say:
“I know that you see the academic value of lessons. But, I’m not sure if a few extra IQ points are worth years of lessons.”
This gets a parent’s attention. I’m speaking exactly to their desire, and I’m raising an objection. This is intriguing to them. I’m supposed to be trying to convince them to join – not push them away.
“This is what I’ve found. Kids are little sponges. Learning the facts of music? Easy. The real trouble that kids run into is learning how to manage many songs every week. Learning how to practice the piano correctly.”
By this point, parents are beginning to pack up their things… there is no way this is going to work out!
“That’s why I place such an emphasis on the process of practice. So many teachers focus on the facts. I focus on the process. I help them with their problem solving skills, their discipline, and their organization. They will carry into other parts of their life… including academics! Because of music, they will perform better at school. They’ll be happier and experience less stress as I teach them project management skills in a fun way.”
I might not say this word for word… but I come pretty close.
You see, people are silently begging to be led. If you can help them think past just a few IQ points to something much greater – that is leverage.
If you show that you have a big vision for their child – and they believe you can deliver on it – well, my friend… You win. They will trip over themselves to sign up.
“You can have the best product in the world, but if people don’t know about it, it’s not going to be worth much. There are singers in the world with voices as good as Frank Sinatra’s, but they’re singing in their garages because no one has ever heard of them.”
In this part of the book, Trump talks about being sensational. Be different. Be outrageous. Do bold and controversial things. People will hear about you.
I met one of my best friends (Greg Genter) in college. We both studied piano. After we graduated, we struggled to find students near us.
Greg and Daniel, The College Years. Were we ever that young?.
After a while, Greg came up with a crazy idea – would it be possible to teach a kid an entire beginner book in just one week? We looked into it and (at the time) no one was doing anything like that.
So, for six months we worked together on a curriculum and workbook. Together we created a 100 page workbook and invented a summer day camp called The Piano Express. Our goal was to get kids through our equivalent of the Faber Primer book in just 5 days.
That first summer (2005) we had only 7 kids sign up. Parents were skeptical when we told them that their kids could learn 100 pages of music by the end of the week.
At the end of the week, almost every child had moved through the entire book. We had a final recital on the last day of the camp. Parents attended on their lunch breaks and we even made a performance DVD for each family.
The next summer, we signed up over 20 kids – many of them were friends and siblings of those 7 original kids. We had parents calling us that we didn’t even know. One of the parents told Greg: “We heard you that you’re a miracle worker when it comes to music.”
By 2010, we were running 150 kids EVERY summer. We were feeding teachers in our region with new students. It turned into a year round after school program called The Piano Express. The Express currently sees 250 kids every week. It is one of the premier music schools in the metro Washington D.C. area.
When you do remarkable, outrageous work, you create lifelong fans. You surprise people in a good way! They will tell their friends, their family, and their co-workers.
The Piano Express today
When Trump got out of Wharton business school, he had no money and was working for his dad. His dad was an old-fashioned guy. He had spent many years building apartment buildings in Brooklyn and Queens. Instead of just giving Donald money, he gave him a large loan that he expected to receive back.
Donald made a series of deals. He bought run-down apartment buildings in terrible neighborhoods and revitalized them. He gradually grew his seed money.
After a few years, he set his sights on Manhattan – one of the toughest real estate markets in the world.
No bank wanted to take a chance on this new developer. He knew that he would have one shot to prove to the big banks in New York that he could deliver a major skyscraper on time and under budget.
He did exactly that – time after time after time. While other developers would run over budget, he would contain his costs. Banks eventually shunned those other developers. Except for a few bouts with bad luck during a recession, he came through on his obligations. He is still trusted by major financiers all over the world.
You can’t con people for long.
You can brag. You can generate excitement. You can talk a big game… but if you can’t deliver, people will walk.
This might be the most important point – not only to this post, but to everything that this blog stands for. Read carefully!
You can promise parents that you will help little Susie to be more organized. If you don’t have a plan to do that, you are going to let them down. Better that you had said nothing at all!
You can try a price experiment in your studio and increase your tuition. Good for you! But, parents won’t re-enroll if students are complaining about practice each week.
We teachers have to deliver a good product.
What does that look like?
I boil it all down to one question. This is the overriding theme of my personal studio.
How much does this student need me?
By the second lesson, I want to be able to open the book, point at a new song, and say: “Play this.” I want them to be able to do it with no help or prompting for me. Perfect hand position. Perfect playing.
If they can do that with me, then I know they can do it at home. I’m training them to be unafraid of going to the piano bench at home. They are forming a practice habit that will stick with them for years.
By and large, that’s exactly what happens with all of my new students. Just like many other teachers, I have worked for years at finding the perfect way to teach the beginning concepts. I have optimized it for maximum impact and efficiency.
Now, you might have a different theme or goal – it could be sight reading or ear playing. You might be the teacher that has the most creative games in town. You might have a goal of students doing well in music competitions. You could be the music school that uses iPads in your music lessons.
Whatever “it” is, put that front and center in your promotional materials. Connect that to the hopes and fears of your student’s parents. Create something that is worth talking about.
Who knew that a 30 year old business book offer such great advice to us piano teachers?
When you go to your next MTNA meeting and everyone asks you how you got so many students in such a short period just say:
“Thanks! Well, I’m running my studio like Donald Trump.”
On second thought, don’t say that.
Jokes and politics aside… Keep these five principles in mind. You will have a much easier time of attracting great students to your studio. You will be well-paid to do it!